![]() For viewing software I use either VLC media player or Leawo Blu-ray Player (Power DVD software has some DRM that prevents me from capturing the image). I'll then play the disc on my laptop with a portable Pioneer 4k/Blu-ray player. While watching a movie on my main system I make note of time-stamps of scenes I think will make a good. Chances are I might grow to appreciate this more on a rewatch-it's generally on-par with other horror flicks of the 00s. Can't say I like how obnoxiously loud some scenes get, but that seems to be a common James Wan schtick.ĭespite the hackneyed nature of the script and story, it does pull out a crazy final twist in the end, and there are good creepy moments to be found. It's all captured with solid camera-work. Some scenes are purposefully aged to look like old-timey film. The whole thing is doused in a metallic blue color scheme. On the plus side, the film is slickly directed, and the sheer style of it is probably its best feature. It was a learning process for him on how to not do things. Leigh Whannell indicated that the film was penned at the advice of his agent and was handled by a script doctor, and Whannell openly admits that it's not a great script. If it falls short, it's mostly the writing. a cursed spirit trying to create the "perfect doll" too? And she can only kill when a person screams? But then you can just throw the Billy doll into the fire and defeat her? Who comes up with all these rules? Having a terrible history is great and all, but Problem is, I don't think everything is as seamless in Dead Silence as it could be, and I almost wonder if it's trying to do too much. Maybe this is why Dead Silence feels a little samey-same to me-heck, James Wan still recycles these elements throughout his Conjuring universe. Dead Silence also incorporates this unique curse in which Mary Shaw only murders people in specific circumstances and for a dire reason-things that feel more like J-horror staples, bringing Ringu, The Grudge, and Dark Water to mind. The plotline, hinging on a mystery prompted by supernatural death (and ultimately pointing to a dark history substantiating the paranormal) is exactly what The Ring, Silent Hill, and The Fog remake were all about, all released in the same decade. It does seem like there are a lot of elements this film juggles that I feel have been tackled in others. My feelings about it are ultimately mixed. This is one of those movies where I always see the poster around, but I never viewed this until now. But when he does his own investigating in his old stomping grounds in Raven's Fair, he uncovers the macabre history of Mary Shaw, a ventriloquist who was lynched, but whose spirit persists and murders anyone who screams. Naturally, the police blame the husband at first. A young couple receives a ventriloquist doll on their doorstep one day, then the wife is murdered with her tongue cut out.
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